RBA 2026

Royal Society of British Artists | Annual Exhibition 2026

26 February to 7 March, 10am to 5pm

Presented by the Federation of British Artists at Mall Galleries

241 - Roses, Impression Of

Stephanie Man

Oil, 25x20cm (29x24cm framed)

Painted from life, this work explores how far abstraction can be carried while still remaining grounded in the representational. Through deep observation, I focused on understanding the essence of the rose and finding the geometry within its petals,.…

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242 - Pride of Place

Lucy Manfredi

Oil on board, 45x60cm (65x80cm framed)

Portrait of lady in front of her fireplace, with pet.

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243 - Horse in Bronze II

Lily Marsh

Bronze, 27x11x33cm

Horse II signed edition of 8 Bronze.

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244 - Brighton Studio

John Martin RBA

Oil on canvas, 50x60cm (68x77cm framed)

Autumn in my studio .

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245 - May Garden

John Martin RBA

Oil on canvas, 26x50cm (38x62cm framed)

May garden with garden furniture . Bright sunlight with cast shadows

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246 - Rory

Rufus Martin

Terracotta plaster, 50x20x20cm

Intelligent, charming, attentive pretty perfect. Rory was the model for the bust I made of Lucifer last year. We made this sculpture over the course of two days, it was about 6-7 hours or sculpting. Rory sat well and we got a sculpture that was an…

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247 - Morning Snowfall

Robin Mason

Oil, 21x30cm (31x40cm framed)

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248 - Summer in the Garden

Charlotte McCafferty

Oil, 30x25cm (40x35cm framed)

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249 - Brockwell Park, Spring Afternoon

Mark McLaughlin

Oil on linen, 30x90cm (40x100cm framed)

This was a nice challenge creating a panoramic view of my local park. I was painting low in the grass to capture everything I wanted, especially the lovely strong shapes of the plane trees. The light was late afternoon and the approaching moody cloud…

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250 - Rout

Aisling McWilliam

Wood engraving, 6x6cm (25x25cm framed)

I love the graphic nature of a snail’s swirls, they lend themselves to a tangle or ‘Rout’. The slow but determined unstoppableness of them. For me they’re an illustration of a slow anxious turning of one’s mind and stomach which is often a constant f…

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251 - Harbour Lighthouses

Christopher Miers RBA

Oil, 15x20cm (27x33cm framed)

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252 - Sennen Cove

Christopher Miers RBA

Oil, 20x25cm (33x37cm framed)

Catalogue

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253 - Matilde di Canossa

Stuart Moir

Oil on linen, 85x55cm (90x60cm framed)

Matilde di Canossa (1046 – 1115) In a time when women were considered at a lower level than men, Matilda went toe-to-toe with kings and princes, establishing her legacy as one of the most important and influential people in the Italian, hence Europea…

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254 - The Relations

Bridget Moore NEAC RBA

Gouache, 19x24cm (38x42cm framed)

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255 - The Witches' Broom Tree II

Peg Morris

Colour etching with aquatint, 34x50cm (54x69cm framed)

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256 - Yew Tree, White Down

Peg Morris

Etching with aquatint, 24x30cm (43x49cm framed)

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257 - Cruel Country

Chris Myers RBA PPRI

Watercolour, 15x46cm (25x56cm framed)

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258 - Photo Opportunity, Le Mans

Chris Myers RBA PPRI

Watercolour, 15x46cm (25x56cm framed)

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259 - Spring Meadow Normandy

Chris Myers RBA PPRI

Watercolour, 15x46cm (25x56cm framed)

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260 - Watching the Green Flag

Chris Myers RBA PPRI

Watercolour, 15x46cm (25x56cm framed)

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261 - Grayson Jelly

Mike N

2B pencil on smooth-heavyweight paper, 25x25cm (29x29cm framed)

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262 - Colour Vortex

Peter Newsome RBA

Glass and stainless steel, 31x20x20cm

Sculpture created with a combination of Mirror surfaced stainless steel and dichroic glass.

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263 - Reflection Canary Wharf

Peter Newsome RBA

Oil, 28x19cm (30x21cm framed)

Oil painting depicting a reflexion of Canary Wharf in the stainless steel sculpture "Tear" of sculptor Richard Hudson.

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264 - Violin Section

Peter Newsome RBA

Glass, 50x22x22cm

Sculpture constructed from bonded, float and pigmented glass..

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265 - Third Space: Queen of the Night Revisits in the Cold

Jennifer Ng

Chinese ink and water-based mediums on watercolour paper, 139x42cm (140x43cm framed)

The ‘Queen of the Night’, or ‘Tán Hua'[??], was my great grandmother's favourite flower. It blooms once a year at midnight, much to her close neighbours’ anticipation, who joined her yearly to watch the flowers' unbelievable displays. The saying “Tán…

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266 - Estuary

Clare Nicholson

Monotype, 12x12cm (25x25cm framed)

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267 - A Divine Intervention

Ken Nwadiogbu

Charcoal on paper, 59x42cm

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268 - P53 Poolside Muse, Baia dei Turchi, Salento

Taidg O'Malley

Emulsion paint, 60x60cm (63x63cm framed)

Another foray with Life Drawing or in this case Painting. This time of my Muse (my Wife) while on holiday late last year. There are some obvious references here, but I wanted to explore the simple blocking of colour, and the textures I could ge…

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269 - P60 Pool with a View, Palma di Montechiaro, Sicily

Taidg O'Malley

Emulsion paint, 60x60cm (63x63cm framed)

Another poolside painting to accompany P53 Poolside Muse. This time from while we were on holiday staying at the Azienda Agricola Mandranova, an Olive Farm on the South Coast of Sicily, between Agrigento and Licata.

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270 - Banana Bunch

Rosalie Oakman

Charcoal on wood board, 122x67cm (126x71cm framed)

Banana Bunch explores relational rupture, emotional shock, and the persistence of memory within the body. Drawn directly onto wood board, the material introduces weight and resistance, allowing the surface to shape the intensity of the mark-making. …

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271 - Peace

Anastasia Olarou

Oil on board, 38x26cm (43x31cm framed)

Peace lily plant, framed by the light, reflecting in tiles.

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272 - Agapanthus Blue Giant

Vicky Oldfield RBA

Hand coloured collagraph, 76x57cm (97x78cm framed)

A hand-coloured collagraph depicting an agapanthus flower bud as it opens, capturing a moment of quiet transition, balancing restraint and release. Subtle layers and texture emphasise the sculptural elegance of the stem and unfolding buds, while soft…

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273 - London Lions

Vicky Oldfield RBA

Hand coloured collagraph, 60x81cm (80x101cm framed)

A hand-coloured collagraph showing dandelions set against the familiar silhouette of St Paul’s Cathedral. Inspired by weeds thriving in urban spaces, the image contrasts fragile, transient growth with enduring architecture. Rich surface texture and..…

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274 - Spring in an Inkpot

Vicky Oldfield RBA

Mixed media on board, 20x20cm (24x24cm framed)

A mixed media painting of snowdrops and hellebores arranged in an inkpot vase. Delicate blooms and nodding heads are balanced by the weight and history suggested by the vessel, blending fragility with permanence. Layered marks and subtle tonal shifts…

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275 - The Romance of Plant Life

Vicky Oldfield RBA

Hand coloured collagraph with chine colle, 60x80cm (80x100cm framed)

A hand-coloured collagraph with chine collé featuring books, bottles, and English flowers. The Romance of Plant Life evokes a sense of quiet alchemy, where knowledge and nature are carefully gathered and preserved. Layered textures and delicate colou…

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276 - Tresco Hybrid

Vicky Oldfield RBA

Hand coloured collagraph, 90x60cm (110x80cm framed)

A hand-coloured collagraph depicting agapanthus flowers in full bloom. Layered textures and nuanced colour emphasise the structure of the stems and star-like blossoms, giving the image a poised, almost sculptural presence. The work celebrates the...

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277 - At Last

Steven Outram RBA

Oil, 61x50cm (76x65cm framed)

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278 - Just Being

Steven Outram RBA

Oil, 81x76cm (90x85cm framed)

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279 - The Heron

Steven Outram RBA

Oil, 56x51cm (71x66cm framed)

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280 - Refugee

Shanti Panchal HRBA

Watercolour, 42x32cm (62x52cm framed)

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281 - Working Woman

Shanti Panchal HRBA

Watercolour, 42x32cm (62x52cm framed)

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282 - Ed

Liz Parr

Bronze, 19x12x14cm

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283 - Big Fish

Susie Perring RBA

Mixed media, 12x16cm (12x16cm framed)

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284 - Canary Wharf

Susie Perring RBA

Etching, 24x24cm (49x46cm framed)

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285 - Catch the Wind

Susie Perring RBA

Etching, 17x17cm (39x38cm framed)

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286 - Palm House

Susie Perring RBA

Etching, 67x49cm (100x73cm framed)

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287 - Red Windmill

Susie Perring RBA

Acrylic, 24x24cm (49x49cm framed)

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288 - Sharp

Christopher Perry

Soft pastel, 30x40cm (37x47cm framed)

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289 - Edge of the Rape Field, Hainton

Melvyn Petterson NEAC RBA

Oil, 30x40cm

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290 - Hainton Sunset

Melvyn Petterson NEAC RBA

Oil, 20x28cm

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291 - Late Summer Hainton

Melvyn Petterson NEAC RBA

Oil, 30x40cm

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292 - Off the Beaten Track

Melvyn Petterson NEAC RBA

Oil, 41x51cm

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293 - Everything in Us Withdraws

Eve Pettitt

Oil on canvas, 60x60cm (62x62cm framed)

Withdrawing into oneself as a silent place of safety and refuge, a place where nature is untouched and great solace can be gleaned.

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294 - Southwark

William Pierce

Oil pastel on paper, 20x14cm (27x23cm framed)

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295 - Blooming Fragile

Guy Portelli RBA

Stainless steel and glass mosaic, 75x60x30cm

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296 - Boris and Riley

Guy Portelli RBA

Acrylic on board, 50x30cm

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297 - Conclave

Guy Portelli RBA

Oil on board, 130x50cm

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298 - Electrified

Aidan Potts RI

Watercolour, 51x36cm (62x47cm framed)

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299 - The Howl

Wenting Pu

Oil on panel, 30x20cm

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300 - Quintet in Red

Nathalie Pymm

Lino reduction, 30x30cm (50x50cm framed)

'Quintet in Red' is an original handpulled lino print using six colours and is part of a small edition of 12.

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