RSMA 2025

Royal Society of Marine Artists | Annual Exhibition 2025

17 September to 27 September, 10am to 5pm

Presented by the Federation of British Artists at Mall Galleries

001 - Beyond Salvation I: Safety First

Roger Adamson

Pen and ink, 84x41cm (105x60cm framed)

Death comes early on the shipbreaking beaches of Bangladesh. Giant ships, workhorses of the rapacious consumer economy come to the beach at Chittagong to die – useless, leaching toxins, oil and chemicals but still worth more than the humans breaking …

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002 - Rock and Horizon

Harsh Agrawal RI

Watercolour, 25x35cm (35x45cm framed)

NULL

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003 - Evening in the Boatyard

Jenny Aitken RSMA

Oil, 20x30cm (30x40cm framed)

Sunset through the boats above Alderney Harbour. A studio painting

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004 - Evening on the River, London

Jenny Aitken RSMA

Oil, 30x40cm (44x54cm framed)

NULL

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005 - Little Fisher, Fowey

Jenny Aitken RSMA

Oil, 30x40cm (44x54cm framed)

NULL

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006 - Morning Light, Polruan

Jenny Aitken RSMA

Oil, 40x50cm (54x64cm framed)

NULL

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007 - Summer Swimming, Hope Cove

Jenny Aitken RSMA

Oil, 50x70cm (64x84cm framed)

A studio painting of the beautiful light at Hope Cove.

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008 - Ebb Tide, Thames Estuary (Swanscombe Marshes)

Michael Alford

Oil on canvas on panel, 46x84cm (60x96cm framed)

An view upriver towards the Dartford crossing from an an abandoned marina on Swanscome Marshes

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009 - Tilbury Port from the Kentish Shore

Michael Alford

Oil on canvas on panel, 46x84cm (60x96cm framed)

A view of the container port of Tilbury from Swansombe Marshes by the Broadness Light

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010 - Bruce Bay, NZ

Tony Allain PS RSMA

Pastel, 30x60cm (51x82cm framed)

NULL

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011 - Cable Bay, NZ

Tony Allain PS RSMA

Pastel, 30x60cm (52x83cm framed)

NULL

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012 - Les Autelets, Sark

Tony Allain PS RSMA

Pastel, 46x66cm (63x83cm framed)

NULL

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013 - Rugged Coastline, Scotland

Tony Allain PS RSMA

Pastel, 51x66cm (74x89cm framed)

NULL

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014 - The Boat Yard

Tony Allain PS RSMA

Pastel, 23x30cm (44x51cm framed)

NULL

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015 - Fishermens Huts

Colin Allbrook RI VPRSMA

Watercolour, 35x51cm (53x64cm framed)

Painted after a visit to Southwold & Walberswick on a grey and sometimes wet day.

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016 - Low Water, Collecting Bait

Colin Allbrook RI VPRSMA

Watercolour, 35x51cm (53x64cm framed)

On the foreshore at low tide in Appledore, the fisherman was collecting bait wading through the thick mud.

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017 - Menorcan Harbour

Colin Allbrook RI VPRSMA

Watercolour, 35x51cm (53x64cm framed)

Painted in the harbour of Cales Font in Menorca in the hot sun after a recent visit there.

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018 - The Fort at St Malo

Colin Allbrook RI VPRSMA

Watercolour, 35x51cm (53x64cm framed)

A painting of the old fort at low tide after a holiday spend in Brittany

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019 - The Old Trawlers

Colin Allbrook RI VPRSMA

Watercolour, 27x35cm (45x51cm framed)

Two or three old ships moored up in the Taw/ Torridge estuary next to the old route of the railway.Now used and lived on as houseboats.

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020 - Bass Rock, North Berwick

David Allen RSMA

Oil, 26x30cm (42x47cm framed)

NULL

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021 - May Morning, Scottish Borders

David Allen RSMA

Pastel, 30x50cm (48x67cm framed)

NULL

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022 - Tantallon Castle from Seacliff Harbour

David Allen RSMA

Oil, 40x38cm (58x56cm framed)

NULL

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023 - The Red Boat, Venice

David Allen RSMA

Pastel, 26x36cm (43x53cm framed)

NULL

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024 - Windy Day, Sennen

David Allen RSMA

Pastel, 30x40cm (48x58cm framed)

NULL

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025 - Sparkling Morning at Tenby Harbour

Shaun Arnold

Watercolour, 30x21cm (55x45cm framed)

I have tried to portray the bright sparkling water and dazzling effect from reflecting surfaces as the sun rises on a bright morning.

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026 - Harbour Reflections

Caroline Atkinson

Acrylic on board, 15x15cm (27x27cm framed)

NULL

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027 - Tide's Edge

Caroline Atkinson

Acrylic on canvas, 40x60cm (59x77cm framed)

NULL

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028 - Deep Shallow 5

Tanya Avchinnikova PS

Soft pastel, 100x70cm (104x74cm framed)

NULL

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029 - The Dart Estuary, Devon

David Bachmann

Oil on panel, 21x40cm (34x53cm framed)

NULL

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030 - Cleaning the Mussels

Peter Barker RSMA

Oil, 31x43cm (46x58cm framed)

NULL

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031 - Dusk, Harlyn Bay

Peter Barker RSMA

Oil, 23x31cm (36x44cm framed)

NULL

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032 - Late Afternoon, Burnham Overy Staithe

Peter Barker RSMA

Oil, 26x36cm (38x48cm framed)

NULL

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033 - Sunset Breakers, Bedruthan

Peter Barker RSMA

Oil, 30x20cm (41x31cm framed)

NULL

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034 - Trevone Bay Rollers

Peter Barker RSMA

Oil, 53x73cm (69x89cm framed)

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035 - Puerto de Málaga

Julia Barminova

Watercolour, 56x50cm (69x65cm framed)

Painted in the port of Málaga, this work is part of my ongoing series Islands in the Stream by Julia Barminova. I’m fascinated by the way harbours hold light, not just on the surface of the water, but within the reflections, ropes, and shadows that f…

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036 - Bay Glow

James Bartholomew RSMA

Acrylic, 80x150cm (86x156cm framed)

NULL

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037 - Fresh Tide

James Bartholomew RSMA

Acrylic, 80x150cm (86x156cm framed)

NULL

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038 - Moon over Ocean 1

James Bartholomew RSMA

Acrylic, 30x30cm (49x49cm framed)

NULL

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039 - Morning from the Point

James Bartholomew RSMA

Acrylic, 75x75cm (81x81cm framed)

NULL

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040 - Foraging

David Beech

Oil, 37x45cm (43x51cm framed)

NULL

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041 - Seahorse

Andreya Bennett

Glass, 55x27cm (64x41cm framed)

Fused glass seahorse made out of glass powders suggesting the fragility of the seahorses environment environment

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042 - Alice's End

Stephen Betts

Steel and resin on driftwood base, 18x53x18cm

Alice's End is based on a turn of the century Steam Coaster, known as Tramp Steamers. Inspired by rusty wrecks around the Kent coastline. This sculpture continues from the previous sculpture Alice Aground but with more degradation and decay of the ve…

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043 - Mousehole Morning Boats

Lizzie Black AROI

Oil on canvas panel, 25x36cm (40x50cm framed)

NULL

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044 - The Gaps, Mousehole

Lizzie Black AROI

Oil on canvas panel, 25x30cm (40x45cm framed)

NULL

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045 - Raggie Cave

Wendy Borello RSMA

Watercolour, 29x22cm

An underwater cave system off the South African coast where Ragged Tooth Sharks often gather.

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046 - Lobster Pot Cleaning

Clare Bowen

Oil, 50x60cm (65x75cm framed)

Painted plein air on the North Pier with a lady in yellow slickers cleaning lobster pots, men fishing and rowing practice out in the harbour. The Ripple has lost one of its masts in a storm.

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047 - Maintenance on the North Pier

Clare Bowen

Oil, 50x70cm (65x85cm framed)

Painted plein air at low tide beside the North Pier, Newlyn. A hive of activity with boats being scrubbed, jet washed and painted. I liked the low-down viewpoint, which showed off the mix of shapes, colours and character of each fishing boat.

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048 - Clear Seas, the "Alpha"

James Brereton

Oil on canvas board, 31x25cm (37x42cm framed)

NULL

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049 - Boats at Low Tide

Robert Brindley RSMA

Oil on board, 20x25cm (33x38cm framed)

NULL

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050 - Cool Light, San Giorgio, Venice

Robert Brindley RSMA

Oil on board, 20x25cm (32x37cm framed)

Cool early morning light, painted from our apartment in Venice.

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051 - Hazy Afternoon Light, River Esk, Whitby

Robert Brindley RSMA

Oil on board, 20x25cm (33x38cm framed)

This is a view painted from the new bridge into Whitby which spans the river Esk. It depicts a diffused afternoon light reducing everything to silhouette.

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052 - Sunrise, San Giorgio, Venice

Robert Brindley RSMA

Oil on board, 20x25cm (32x37cm framed)

NULL

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053 - Venetian Reflections

Robert Brindley RSMA

Oil on board, 20x20cm (30x30cm framed)

NULL

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054 - Beached Root VII

Gareth Brown RSMA

Oil, 81x121cm (98x137cm framed)

Part of a series of works portraying the sculptural qualities of beached driftwood

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055 - Horned Wrack III

Gareth Brown RSMA

Oil, 94x66cm (110x81cm framed)

Part of a series of works inspired by the colours and sculptural qualities of seaweeds

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056 - Baily Lighthouse, Ireland

Steve Browning

Acrylic, 15x20cm (18x23cm framed)

Painted Plein Air

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057 - Sandycove Beach, Dublin

Steve Browning

Acrylic on board, 15x20cm (18x23cm framed)

Painted Plein Air

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058 - Venice

Steve Browning

Acrylic on board, 25x36cm (28x38cm framed)

NULL

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059 - Aqua

Mark Buck RSMA

Watercolour on paper, 49x49cm (70x70cm framed)

A watercolour born from my fascination with the Schmincke colour cobalt turquoise. For me it suggests lazy, windless sailing days waiting for a breeze to take you back in.

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060 - Britannia Bridge and Cnicht

Mark Buck RSMA

Watercolour on paper, 45x32cm (63x48cm framed)

Morning light in Porthmadog harbour

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