Roger Adamson

001 - Jutland 110: The Last Day

Roger Adamson

Pen, ink, pencil and charcoal, 45x72cm (75x102cm framed)

As unwitting catalyst for the largest surface sea battle ever fought, seafarers from the neutral Danish steamer NJ Fjord find themselves in the space between life and death, as the two most powerful...

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001 - Beyond Salvation I: Safety First

Roger Adamson

Pen and ink, 84x41cm (105x60cm framed)

Death comes early on the shipbreaking beaches of Bangladesh. Giant ships, workhorses of the rapacious consumer economy come to the beach at Chittagong to die – useless, leaching toxins, oil and...

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004 - Twilight

Roger Adamson

Mixed media, 28x40cm (46x58cm framed)

Twilight A general cargo ship captured at the Pool of London. The twilight is liminal: it could be a misty dawn or smoggy dusk; she may be discharging or loading ready to depart. It may be the...

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003 - Transformation

Roger Adamson

Pen and ink, 26x49cm (44x67cm framed)

Transformation A seaman watches the patrol forming up in the Dover Strait during World War II. Following in the proud tradition of the illustrious WWI Dover Patrol, individual warships converge in...

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002 - Limbo

Roger Adamson

Pen and ink, 54x42cm (80x66cm framed)

Limbo Built in greater numbers than any other class of post-war Royal Navy surface ship, the Leander class frigate’s outstanding design offered significant scope for useful modernisation, including...

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001 - Dropping the Dog Shore

Roger Adamson

Pen and ink, 60x38cm (84x62cm framed)

Dropping the Dog Shore Having just dropped the ‘dog shore’ workers on the Strand Slipway at the John Crown & Sons Sunderland shipyard on 29th May 1930 anxiously watch the coaler Bovey Tracey begin...

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