RSMA 2025

Royal Society of Marine Artists | Annual Exhibition 2025

17 September to 27 September, 10am to 5pm

Presented by the Federation of British Artists at Mall Galleries

362 - Mevagissey Reflections

Ross Van Nairn

Acrylic, 50x60cm (65x75cm framed)

It was a bright sunny day with azure blue water reflecting the buildings above. I painted this work on location at Mevagissey Harbour. I concentrated on the reflections below the boats which fascinated me with the distorted ripples.

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363 - Kayaks View 4

Cathy Veale

Watercolour, 54x66cm (77x89cm framed)

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364 - Purbeck Point 2

Cathy Veale

Watercolour, 63x76cm (86x99cm framed)

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365 - Cresting Wave in 5 Sea Colours

Alison Vincent

Hot sculpted glass, 16x19x17cm

Capturing the movement of a cresting wave at the point of toppling with movement of the water, sea foam and sea spray. Molten glass from the furnace at 1200C hand crafted into a Cresting Wave.

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366 - Cresting Wave in Turquoise

Alison Vincent

Hot sculpted glass, 20x25x13cm

Capturing the movement of a cresting wave at the point of toppling with movement of the water, sea foam and sea spray. Molten glass from the furnace at 1200C hand crafted into a Cresting Wave.

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367 - Mid-sea Blue, Shore-sea Green

Deborah Walker RI RSMA

Watercolour, 31x93cm (53x115cm framed)

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368 - Round Ocean and the Living Air

Deborah Walker RI RSMA

Watercolour, 37x93cm (59x115cm framed)

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369 - The Bluest of Things Grey

Deborah Walker RI RSMA

Watercolour, 39x93cm (61x115cm framed)

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370 - Weightless Echoes

Yuqi Wang

Pencil on paper, 42x30cm (44x32cm framed)

Weightless Echoes Now the form begins its dissolution. Tendrils fray into spectral filaments, their fading arcs tracing the geometry of surrender. The true subject emerges in the negative spaces—those intervals between strokes where the paper's...

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371 - Lobster on Blue Gingham

Dominique Warren

Oil on canvas, 40x40cm (42x42cm framed)

A single cooked lobster sits on a blue gingham tablecloth, its bright red shell standing out against the cool, ocean-like background. The ripples in the cloth mimic the gentle waves of the sea, reminding us of where the lobster came from. The use of …

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372 - Urchin Series 1

Alexandra Waylett

Textiles, 50x30cm (53x33cm framed)

3-D Textile sculptures displayed within a glass frame, to be mounted on wall or free standing against a wall. Fabric, thread, vintage glass beads.

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373 - Boatyard, Dunmore East

Dave West

Oil, 70x100cm (80x110cm framed)

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374 - Dusk, Red Light

Dave West

Oil, 30x60cm (40x70cm framed)

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375 - Low Tide

Dave West

Oil, 40x80cm (50x90cm framed)

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376 - Tide Line

Amy Whittingham

Cast glass and found beach plastic, 15x72x20cm

The textural surfaces of rusty rings and weathered rope tethering boats to their dock inspire this cast glass chain sculpture. Chains connect the land to the sea. Our lands and habits are polluting the sea with plastic, the plastic in this piece was.…

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377 - Dawn over Bamburgh

Peter Wileman FROI RSMA

Oil, 40x40cm (60x60cm framed)

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378 - Dawn over Fowey

Peter Wileman FROI RSMA

Oil, 50x60cm (70x80cm framed)

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379 - Sunset over Salcombe

Peter Wileman FROI RSMA

Oil, 40x40cm (60x60cm framed)

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380 - Chicken Lobsters Dockside

Loulou Williams

Ink on paper, 38x56cm (44x62cm framed)

Living in Norfolk I have long been drawn to painting the sea and the treasures beneath. During the last 2 years I have increasingly focussed my attention on shellfish and in particular Lobsters. What began as a fascination with physiology, continues …

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381 - Fruits of the Sea

Loulou Williams

Ink, 38x56cm (44x62cm framed)

Living in Norfolk I have long been drawn to painting the sea and the treasures that lie beneath. During the last 2 years I have increasingly focussed my attention on shellfish and in particular Lobsters. What began as a fascination with physiology,.…

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382 - Beam Trawler into the Sun

Tony Williams RSMA

Oil, 61x69cm (77x84cm framed)

It's been a rough night but prospects are better for the morrow.

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383 - Floating, Smoking Shipyard Ghosts

Tony Williams RSMA

Oil, 58x69cm (74x84cm framed)

They're gone but they're not gone. They are floating in the silent air of their place.

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384 - Jarowslaw Dabrowski in London

Tony Williams RSMA

Oil, 58x69cm (74x84cm framed)

Soldier, Hero, Rebel and Martyr. And a ship in the Pool of London, 1963.

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385 - The John Brown Ghosts Steel

Tony Williams RSMA

Oil, 53x61cm (68x76cm framed)

Building webs for the building of ships and hauling steel to rivet and weld. These Ghosts cannot be heard or seen but are still drifting in the air.

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386 - The John Brown Sun Ghosts

Tony Williams RSMA

Oil, 61x61cm (78x78cm framed)

The unseen ghosts walk in the places that were once their own and the perpetual Sun has seen their silent, lost endeavour.

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387 - Glimmer: Flow

Mike Woning

Oil, 100x80cm

This painting is part of the Glimmer series. - A glimmer is not only the shimmering of light on water but is also a small, positive moment that evokes feelings of calm, safety, connection, or joy.- The subtitle (Flow) not only refers to the im…

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388 - Caine Mutiny

Paul Wright RSMA

Oil, 61x91cm

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389 - Darino

Paul Wright RSMA

Oil, 61x91cm

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390 - Escort

Paul Wright RSMA

Oil, 61x91cm

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391 - Oyster Tide I

Kathryn Zamar

Clay, 11x35x23cm

Oyster Tide I (of three) inspired by the coastal waters and shoreline of Kent, these shorelines being scattered with oyster shells.

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392 - Nao Santa Maria

Nataliya Zozulya

Oil on canvas, 30x40cm (39x49cm framed)

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393 - Into the Storm

Tatiana Zubova

Oil on canvas, 40x50cm

Depicting a storm rescue operation in treacherous waters, this painting captures the urgency and courage of marine service crews. Inspired by real-life search-and-rescue missions, the composition emphasizes instability, tension, and human resilience.…

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394 - The Day's Haul

Tatiana Zubova

Oil on canvas, 40x50cm

Not all maritime life is waves and wind. Some of it is work — steady, raw, and shared. “The Day’s Haul” reflects the quiet endurance of those whose hands bring the sea to shore — again and again.

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395 - What He Will Remember

Tatiana Zubova

Oil on canvas, 40x50cm

A quiet moment between generations. In the working harbor, a boy stands beside his grandfather, learning a simple task — but receiving something far greater than a skill. This painting reflects the quiet passing of trust, care, and experience through…

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